The Other Brother: Claude Schmitz’s THE OTHER LAURENSAugust 22, 2024Fascism, Feces, and Familial Drama – Revisiting Fernando Arrabal’s Viva La MuerteAugust 21, 2024POPCORN FRIGHTS FILM FESTIVAL: THE ACTIVATED MANAugust 19, 2024POPCORN FRIGHTS FILM FESTIVAL: THE FUNERALAugust 16, 2024POPCORN FRIGHTS FILM FESTIVAL: THE BUNKERAugust 19, 2024POPCORN FRIGHTS FILM FESTIVAL: STRANGE DARLINGAugust 15, 2024POPCORN FRIGHTS FILM FESTIVAL: BIRTHRITEAugust 15, 2024FANTASIA INTERNATIONAL FILM FESTIVAL: THE MISSINGAugust 15, 2024FANTASIA INTERNATIONAL FILM FESTIVAL: LOS IMPACTADOSAugust 12, 2024UNREPENTANT: Colby Holt and Sam Probst’s GANYMEDEAugust 8, 2024FANTASIA INTERNATIONAL FILM FESTIVAL: THE SOUL EATERAugust 9, 2024FANTASIA INTERNATIONAL FILM FESTIVAL: THE GAugust 9, 2024FANTASIA INTERNATIONAL FILM FESTIVAL: KRYPTICAugust 9, 2024FANTASIA INTERNATIONAL FILM FESTIVAL: THE BEAST WITHINAugust 9, 2024FANTASIA INTERNATIONAL FILM FESTIVAL: BLACK EYED SUSANAugust 8, 2024CHATTANOOGA FILM FEST 2024: The BuildoutJuly 9, 2024The 28th Annual FANTASIA INTERNATIONAL FILM FESTIVAL Kicks Off Next WeekJuly 11, 2024CHATTANOOGA FILM FESTIVAL 2024: Cannibal MukbangJuly 9, 2024Nothing To Kill For: George Baron’s THE BLUE ROSEJuly 6, 2024High Strangeness And Hallucinations: Matthew Warren’s DELICATE ARCHJuly 6, 2024CHATTANOOGA FILM FESTIVAL 2024: Off RampJuly 9, 2024CHATTANOOGA FILM FESTIVAL 2024: Gudstjänst (In The Name Of God)July 8, 2024CHATTANOOGA FILM FESTIVAL 2024: Sweet ReliefJuly 8, 2024CHATTANOOGA FILM FESTIVAL 2024: The Lonely Man With The Ghost MachineJuly 7, 2024CHATTANOOGA FILM FESTIVAL 2024: Carnage For ChristmasJuly 7, 2024CHATTANOOGA FILM FESTIVAL 2024: NoclipJuly 5, 2024CHATTANOOGA FILM FESTIVAL 2024: CanvasJuly 5, 2024THELMA Slowly Builds Toward Hilarious FunMay 21, 2024Chicago Critics Film Festival Shorts Program 1May 14, 2024CUCKOO (’24) is Gonzo Sci-Fi Horror With Heaps of AttitudeMay 13, 2024BABES (24) Makes Pregnancy, Friendship, and Trauma HilariousMay 10, 2024SING SING (23) Asks Us to Believe in the Possibilities of Theater and HumanityMay 8, 2024In Defense of CIVIL WAR* (*the movie)April 26, 2024Vampire Flies, Oh My!: The Deadly Swarm ReviewApril 22, 2024Entering the Tomb of the Mutilated: Jorg Buttgereit and Transgressive FilmApril 18, 2024Pardon?: Hundreds of Beavers ReviewApril 22, 2024You Have A Beautiful Home: Invader ReviewApril 24, 2024The World’s Perfect Couple: Love Will Tear Us Apart ReviewApril 15, 2024War Damn Seahawk: The Third Saturday in October Parts V and 1 ReviewApril 9, 2024I Survived Spooky World: The Spooktacular! ReviewApril 16, 2024Behold The Frogman! An Interview with Anthony CousinsMarch 5, 2024The Croak is No Joke: A Review of Anthony Cousins’ FROGMANMarch 5, 2024THERE IS A MONSTER: Allegorical Horror That Stumbles Across the Finish LineFebruary 2, 2024Cinepunx Recommends: A Guide to 2023 CinemaJanuary 1, 2024Celebrate “Manos Day” with Dumb Industries!November 14, 2023“…Who Slip Beneath The Eyes Of God.”: The Adams Family’s WHERE THE DEVIL ROAMSNovember 8, 2023CINE-WEEN 2023: In Defense of EATEN ALIVEOctober 27, 2023Cineween 2023: PET SEMATARYOctober 17, 2023Cineween 2023: Frankenstein and Me… and MeOctober 13, 2023Trust No One: Did The X-Files help shape modern conspiracy culture? #CINEWEENOctober 11, 2023Stranger Danger: A Review Of Warren Skeels’ THE MAN IN THE WHITE VANOctober 11, 2023CINE-WEEN 2023: In Defense of DEATHDREAM (aka DEAD OF NIGHT)October 9, 2023CINE-WEEN 2023: In Defense of SCREAM FOR HELPOctober 4, 2023REVIEW: BLOW UP MY LIFEOctober 3, 2023FANTASTIC FEST Review: VISITORSOctober 3, 2023FANTASTIC FEST Review: BARKOctober 3, 2023FANTASTIC FEST Review: MUSHROOMSOctober 3, 2023CINE-WEEN 2023: Let’s be Frightened TOGETHERSeptember 28, 2023FANTASTIC FEST Review: A GUIDE TO BECOMING AN ELM TREESeptember 27, 2023FANTASTIC FEST REVIEW: You’re Not MeSeptember 26, 2023FANTASTIC FEST REVIEW: Pet Sematary: BloodlinesSeptember 26, 2023David Depesseville’s ASTRAKAN Is A Challenging but Sympathetic PortraitAugust 29, 2023Popcorn Frights Film Festival Review: PSYCHOSISAugust 19, 2023Fantasia Film Festival Review: IT LIVES INSIDEAugust 10, 2023Fantasia Film Festival Review: SKIN DEEPAugust 7, 2023Fantasia Film Festival Review: SOMETIMES I THINK ABOUT DYINGAugust 7, 2023Fantasia Film Festival Review: APORIAJuly 31, 2023Fantasia Film Festival Review: WITH LOVE AND A MAJOR ORGANJuly 31, 2023Fantasia Film Festival Review: HIPPOJuly 28, 2023Fantasia Film Festival Review: An Interview With Teresa Sutherland, Director Of LOVELY, DARK, AND DEEPJuly 28, 2023Fantasia Film Festival Review: LOVELY, DARK, AND DEEPJuly 28, 2023Fantasia Film Festival Review: FEMMEJuly 26, 2023Fantasia Film Festival Review: RAGING GRACEJuly 24, 2023Fantasia Film Festival Review: EMPTINESSJuly 24, 2023Fantasia Film Festival Review: BLACKOUTJuly 24, 2023The 27th Annual FANTASIA FILM FESTIVAL Kicks Off Next WeekJuly 14, 2023Chattanooga Film Festival Review: THE THIRDJuly 12, 2023Chattanooga Film Fest Review: THE BIGFOOT TRAPJuly 12, 2023Chattanooga Film Fest Review: BAD GIRL BOOGEYJuly 11, 2023Chattanooga Film Festival Review: FOLLOWERSJuly 10, 2023Chattanooga Film Fest Review: SOUR PARTYJuly 7, 2023Chattanooga Film Fest Review: TEARSUCKERJuly 7, 2023Chattanooga Film Festival Review: HELL HATH NO FURYJuly 7, 2023Chattanooga Film Festival Review: AMERICAN MELTDOWNJuly 6, 2023Chattanooga Film Festival Review: WE MIGHT HURT EACH OTHERJuly 6, 2023Chattanooga Film Festival Review: SOFT LIQUID CENTERJuly 6, 2023Chattanooga Film Festival Review: THE LAST MOVIE EVER MADEJuly 7, 2023Chattanooga Film Festival Review: MIND BODY SPIRITJune 26, 2023SPIDER-MAN: ACROSS THE SPIDER-VERSE Continues the Journey Through Realities and Into Amazing CinemaMay 31, 2023PASSAGES: Tragic and Humorous in Equal MeasureMay 19, 2023WAITING FOR THE LIGHT TO CHANGE: A Promising If Limited DebutMay 18, 2023PAST LIVES: The Complexity and Beauty of Then and NowMay 15, 2023THIS JUSTIN: The (Mis)Adventures Of Philadelphia’s Favorite Son, or: The Rocky Jawns RankedMarch 29, 2023Evil Never Dies: Anthony DiBlasi’s MalumMarch 27, 2023Growing Up Is Hell: Jeff Ryan’s MEAN SPIRITEDFebruary 6, 2023Cracking Under Pressure: Michelle Garza Cervera‘s HUESERA: THE BONE WOMANFebruary 6, 2023Review: NIGHT OF THE TOMMYKNOCKERS (2022)November 23, 2022THE MENU (2022) Is a Thrilling and Delightful Story of EntitlementNovember 17, 2022Flying Lotus Directed a Perfect Horror Short with “Ozzy’s Dungeon” (Spoilers)November 4, 2022STREAMS OF FEAR: A Cine-ween Viewing Guide for 24 Hours of HorrorOctober 30, 2022#ChiFilmFest: A Wounded Fawn is a Well Considered NightmareOctober 20, 2022WHEN I CONSUME YOU: A ReviewAugust 15, 2022FANTASIA FEST 2022: GloriousAugust 16, 2022FANTASIA FEST 2022: The BreachAugust 2, 2022Chattanooga Film Festival 2022: GATEWAYJuly 7, 2022Chattanooga Film Festival 2022: PUSSYCAKEJuly 6, 2022Chattanooga Film Festival 2022: GIVING BIRTH TO A BUTTERFLYJuly 5, 2022Chattanooga Film Festival 2022: THE OUTWATERSJuly 4, 2022Chattanooga Film Festival 2022: THE CREEPINGJuly 1, 2022Chattanooga Film Festival 2022: THE THIRD SATURDAY IN OCTOBER I & VJune 30, 2022Chattanooga Film Festival 2022: THE LEECHJune 29, 2022Director Avalon Fast on the girl cult of HoneycombMay 27, 2022THIS JUSTIN: Things Go Wrong: The Impersonal Horror Of TWISTERMay 23, 2022Dave Hillyard on the latest Rocksteady 7 album, Plague DoctorMay 26, 2022On the Count of Three is the Suicide Comedy You Didn’t Know You NeededMay 12, 2022THE SOUND OF SCARS Explores Art, Trauma, and TriumphMay 3, 2022Out of the Box: WOODLANDS DARK AND DAYS BEWITCHEDApril 12, 2022Out Of The Box: KING BOXER (72)March 8, 2022SUNDIAL (2022) by Catriona WardMarch 3, 2022SCREAM (2022)January 24, 2022Review: THE LAST THING MARY SAWJanuary 17, 2022The Best Films of 2021January 7, 2022John McClane Is My Positive Christmas Role ModelDecember 21, 2021LAIR (2021): A ReviewNovember 17, 2021SHOWTIME w/ Sharkey and Josh: DUNE (2021)November 12, 2021CINE-WEEN 2021: MOVIE MADNESS MADNESS- RACE WITH THE DEVIL, FEAR NO EVIL, DR. BUTCHER M.D.October 31, 2021CINE-WEEN 2021: Double Feature Team Up- GRETEL AND HANSEL & HAGAZUSSAOctober 30, 2021CINE-WEEN 2021: LETTERS: GABRIEL & BELIALOctober 29, 2021CINE-WEEN 2021: THE MONSTER MASH-UPOctober 29, 2021CINE-WEEN 2021: ARTIST JUSTIN OSBOURN ON HIS WORK FOR ARROW, FRIGHT RAGS, AND MOREOctober 27, 2021CINE-WEEN 2021: More Movie Madness MadnessOctober 28, 2021CINE-WEEN 2021: 5 MUST READ/WATCH STEPHEN KING BOOKS AND FILMSOctober 26, 2021CINE-WEEN 2021: 4 Chilling Documentary and Feature Film Pairings to Watch This HalloweenOctober 25, 2021CINE-WEEN 2021: ANNA’S STUDIO- A Poem About POSSESSION (81)October 22, 2021CINE-WEEN 2021: DEVIL CHILDREN UNITE! Ink & Dagger Haunt My Philadelphia HeartOctober 21, 2021NIGHTSTREAM 2021: THIS IS GWAR- The Human Story of Intergalactic BarbariansOctober 19, 2021CINE-WEEN 2021: Conjuring a SEX DEMON With Elizabeth PurchellOctober 18, 2021HALLOWEEN KILLS Ramps up the ViolenceOctober 16, 2021CINE-WEEN 2021: War of the Worst–The Battle for Horror’s Most Awful Supporting CharacterOctober 19, 2021CINE-WEEN 2021: SLEEPOctober 15, 2021CINE-WEEN 2021: Glowing Ghosts And Lurking Terrors: The Enduring Effects Of The Campy, Shock-O-Rama Style Of Midnight Spook ShowsOctober 20, 2021CINE-WEEN 2021: MOVIE MADNESS MADNESS VOL 2: Grotesque (88) & Rats: Night of Terror (84)October 15, 2021CINE-WEEN 2021: Carlson Young On Her Debut Feature, THE BLAZING WORLDOctober 14, 2021CINE-WEEN 2021: MOVIE MADNESS MADNESS- NAKED MASSACRE(76) & HELTER SKELTER (76) October 12, 2021Knocking Is An Effective Slowburn Example Of Psychological HorrorOctober 20, 2021CINE-WEEN 2021: Three Films to Get You Out of Your Halloween Movie RutOctober 13, 2021SCENE REPORT- DEADGUY: KILLING MUSIC Philadelphia PremiereOctober 12, 2021CINE-WEEN: CREATURE WITH THE BLUE HANDOctober 11, 2021How Dave Chappelle Broke My HeartOctober 8, 2021CINE-WEEN 2021- Running on Stream Gets HorrifyingOctober 7, 2021CINE-WEEN 2021- Adolescents, America, and THE GATE (87)October 6, 2021NIGHTSTREAM 2021: The Virtual Festival Experience Returns October 7-13!October 6, 2021CINE-WEEN 2021: MIDNIGHT MASSOctober 4, 2021CINE-WEEN 2021: And Just Like That, We’re Back Again at Death’s DoorOctober 1, 2021CINE-WEEN: The Proper Picks for Halloween ViewingOctober 5, 2021CINE-WEEN: In Defense of Monsters of the WeekOctober 8, 2021Author Eddie Muller Revises DARK CITY To Further Explore The World Of Film NoirSeptember 28, 2021SHOWTIME w/ Sharkey and Josh: BLUE BAYOUSeptember 17, 2021THE EYES OF TAMMY FAYE Doesn’t See Far EnoughSeptember 16, 2021FANTASIA: YAKUZA PRINCESS Brings Japanese Action to BrazilSeptember 3, 2021FANTASIA: ALL THE MOONS Is A Bittersweet Contemplation On The Loneliness Of VampirismAugust 26, 2021Fantasia: WHEN I CONSUME YOU Is A Story Of SurvivalAugust 26, 2021SHOWTIME w/ Sharkey And Josh: REMINISCENCEAugust 20, 2021FANTASIA: OFFICE ROYALE Is A Flawed But Fun Send-up Of Corporate PoliticsAugust 22, 2021Fantasia: STRAWBERRY MANSION Connects Whimsy and DreadAugust 18, 2021FANTASIA: BABY, DON’T CRY Explores Destructive Young Love Without JudgmentAugust 13, 2021FANTASIA: GLASSHOUSE Is A Haunting Post-Apocalyptic Family DramaAugust 17, 2021SHOWTIME w/ Sharkey and Josh: ANNETTEAugust 9, 2021FANTASIA: KING KNIGHT Is A Surprisingly Heartfelt JourneyAugust 9, 2021FANTASIA: FRANK & ZED Is A Messy, Weird, Utterly Fascinating WatchAugust 10, 2021FANTASIA: OPÉRATION LUCHADOR Imbues the Spirit of Classic Films with Modern ElanAugust 10, 2021FANTASIA: UNDER THE OPEN SKY Is a Tragically Beautiful Look at Human ImperfectionAugust 8, 2021SHOWTIME w/ Sharkey and Josh Episode 2: THE SUICIDE SQUADAugust 6, 2021FANTASIA: ALIEN ON STAGE Is Bursting With JoyAugust 6, 2021Director Natasha Kermani Talks LUCKYAugust 3, 2021Fantasia 2021: That To Which We Look ForwardAugust 4, 2021SKATER GIRL: Skate Love is UniversalJuly 23, 2021ARTHOUSE BRITAIN- FRENCH DRESSING (64)July 21, 2021FOLK HORROR MEETS MODERN PARIS IN KANDISHAJuly 20, 2021The Joy and The Pain of ROADRUNNER: A FILM ABOUT ANTHONY BOURDAINJuly 16, 2021Introducing: SHOWTIME w/ SHARKEY AND JOSH! A New Video Series!July 8, 2021WEREWOLVES WITHIN Is Played for Maximum Anxiety and Comedic PotentialJune 24, 2021Catching Up: SMALL AXEJune 10, 2021Trust Records’ Joe Nelson on BYO Records, preserving hardcore, and 7 Seconds’ THE CREWJune 10, 2021Crash into PARALLEL LOVE: THE STORY OF A BAND CALLED LUXURYMay 28, 2021Analog Adventures: Hardcore Americana Synth PopMay 11, 2021Fantaspoa 2021: Cemetery of the Lost Souls is Bloody, Brazilian FunMay 3, 2021I Love That You Love It – Exorcist II: The HereticApril 27, 2021DONNY’S BAR MITZVAH Is At Its Best When At Its WeirdestMarch 25, 2021Old City on sampling punk rock for hip-hopMarch 25, 2021Zack Snyder’s Justice League Was Good. Wow.March 22, 2021Zack Snyder’s Justice LeagueMarch 15, 2021Review: BAD GIRLS is low-budget exploitation done rightMarch 11, 2021BOOKSHELF: First to Knock’s new comics are brain-meltersMarch 3, 2021ANALOG ADVENTURES: A Voyage Into the KosmischeFebruary 17, 2021TRUTH TO POWER IS A FLAWED BUT COMPELLING LOOK AT SYSTEM OF A DOWN’S FRONT MANFebruary 16, 2021Cult Epics’ new Madame Claude Blu-ray is a feast for the eyesFebruary 8, 2021Review: SATOR Looks Great, But Doesn’t Quite ResonateFebruary 3, 2021Hunky Boys and Horror Movies: An Interview With PSYCHO GOREMAN Writer/Director Steven KostanskiJanuary 29, 2021A Rough Message for Survivors of Gendered Violence: PROMISING YOUNG WOMANJanuary 28, 2021THE DEVIL ALL THE TIME (2020)January 25, 2021PSYCHO GOREMAN is an ultraviolent, hilarious triumph of twisted creativity.January 21, 2021THIS JUSTIN: Sam Neill As An Unlikely Horror IconJanuary 15, 2021THIS JUSTIN: The Yuletide Horror Of The Mothman PropheciesDecember 24, 2020Behind the scenes with writer April Wolfe on the first anniversary of Black ChristmasDecember 11, 2020I Love That You Love It: FREDDY’S DEADDecember 8, 2020Dear Santa Is the Uplifting Movie You Need Right NowDecember 7, 2020THIS JUSTIN: A Tale Of Two ThingsDecember 4, 2020Review: Anything for JacksonDecember 3, 2020Cult Epics’ Death Laid An Egg Blu Has A Lot Going For ItNovember 28, 2020THIS JUSTIN: Behold (And Beware) Chuck Russell’s The Blob!November 27, 2020THIS JUSTIN: The Weird And Wonderful Horror Of Tobe Hooper’s LifeforceNovember 20, 2020THIS JUSTIN: Habit, Routine, Trauma, And The Horror Of The Haunting Of Bly ManorNovember 13, 2020PFF29: SUMMER OF 85 ReviewNovember 7, 2020The El Duce Tapes< Are Terrifying, But Not How You Might ExpectNovember 5, 2020PFF29: JUMBO ReviewOctober 30, 2020CINE-WEEN: Ruined Is A Podcast For Horror Movie Fans And Fraidy Cats AlikeOctober 30, 2020CINE-WEEN 2020 – It Came From the Seventies: My Horrified LifeOctober 30, 2020PFF29: MANDIBLES ReviewOctober 29, 2020CINE-WEEN: Angels, UFOs, and Aleister Crowley: A Strange HistoryOctober 29, 2020CINEWEEN: 19 of Our Favorite Comfort Horror FilmsOctober 30, 2020THIS JUSTIN: The Fine Art Of The Jump ScareOctober 29, 2020Letting the Devil Out: Fear and BlacknessNovember 12, 2020Letting the Devil Out: Being A Black Girl In HorrorOctober 29, 2020CINE-WEEN: Attack of the Demons is a splattery animated ode to Italian horrorOctober 26, 2020NIGHTSTREAM: Come True Is A Surreal And Nightmarish ExperienceOctober 21, 2020CINE-WEEN 2020: Zombie Flesh EatersOctober 22, 2020NIGHTSTREAM: Rose Plays Julie Is A Warning On Digging Into The PastOctober 20, 2020CINE-WEEN: Scare Package Is A Meta-Horror JoyOctober 20, 2020CINE-WEEN: THE MORTUARY COLLECTION Is Your Next Favorite Halloween TreatOctober 21, 2020CINE-WEEN: THE TEXAS CHAINSAW POLITICOctober 19, 2020NIGHTSTREAM: RUN Is A Hitchcockian Thriller And Then SomeOctober 19, 2020NIGHTSTREAM: 32 Malasana St. Is Nothing That Hasn’t Already Been DoneOctober 19, 2020NIGHTSTREAM: Bleed With Me Takes A Deep Dive Into Mental IllnessOctober 16, 2020BOOKSHELF: The Disturbing Pulp of Echoes of a Natural WorldOctober 15, 2020CINE-WEEN: A From The Stereo To Your Screen Triptych Of TerrorOctober 16, 2020NIGHTSTREAM: An Unquiet Grave Is A Harsh Look At Mourning Gone WrongOctober 15, 2020NIGHTSTREAM: Boys From County Hell Is A No Frills Blast Of A Horror FilmOctober 15, 2020NIGHSTREAM: The Queen of Black Magic Fails To Cast An Enthralling SpellOctober 14, 2020NIGHTSTREAM: My Heart Can’t Beat Unless You Tell It To Is A Brutal But Tender Look At The Weight Of FamilyOctober 14, 2020NIGHTSTREAM: It Cuts Deep Mostly Misses, But Still Hits SometimesOctober 13, 2020NIGHTSTREAM: BLOODY HELL Is Wickedly Brilliant In Its ExecutionOctober 12, 2020NIGHTSTREAM: Trying On Some ShortsOctober 13, 2020I Love That You Love It: DEATH LINE (aka RAW MEAT)October 15, 2020CINE-WEEN 2020: Mandy and Transition TimesOctober 13, 2020THIS JUSTIN: The Quiet Cruelty Of Dark SkiesOctober 9, 2020CINE-WEEN 2020: Who Goes There? The Changing Faces of THE THINGOctober 7, 2020NIGHTSTREAM Kicks Off Thursday With A Virtual Smorgasbord For Genre FansOctober 5, 2020CINE-WEEN 2020: Talking ’80s horror with director Richard FriedmanOctober 6, 2020CINE-WEEN 2020: Welcome One and AllOctober 1, 2020CINE-WEEN 2020: Horror Films Directed By Women Available to StreamOctober 1, 2020CINE-WEEN 2020: THE HOPE OF THE END (Video!)October 30, 2020REVIEW: ALIEN ADDICTION Just Wants To Have FunSeptember 30, 2020THIS JUSTIN: Werewoofs Like Pina ColadasSeptember 25, 2020Newark’s New, Black-Owned Drive-In Brings Good Vibes and Fosters Community Amid the PandemicSeptember 21, 2020The Comic Books of Late Stage CapitalismSeptember 21, 2020SPIRAL: A ReviewSeptember 21, 2020Documentaries RED WHITE & WASTED and DTF Provide a Dark View of Human BehaviorSeptember 17, 2020Shawn Foree of Digital Leather on the Sonic Change-Up of New Wave GoldSeptember 10, 2020THIS JUSTIN: My Love/Hate Relationship With The Conjuring FilmsSeptember 11, 2020No Choice But To Fight – An Interview With Alice BagSeptember 8, 2020Fantasia 2020: The Paper Tigers is a Charming Kung Fu Redemption StorySeptember 2, 2020FANTASIA 2020: Class Action Park is a Fitting Monument to the Most Dubious Amusement Park of All TimeAugust 31, 2020THIS JUSTIN: The Horror And The Humanity Of Dean KoontzAugust 28, 2020ANALOG ADVENTURES: Jackpot Records’ Record Store Day ReleasesAugust 27, 2020ANALOG ADVENTURES: ORG Music’s Record Store Day ReleasesAugust 26, 2020Fantasia 2020: The Oak Room Tells, Rather Than Shows, and That’s a Good ThingAugust 25, 2020FANTASIA 2020: Fried Barry is Freaky Science Fiction by way of GrindhouseAugust 21, 2020Fantasia 2020: Shinichiro Ueda’s Special Actors Is Fun, Joyous EntertainmentAugust 21, 2020THIS JUSTIN: The Overlooked Darkness of JAWS: THE REVENGEAugust 21, 2020FANTASIA 2020: Crazy Samurai Musashi Gets Right to the Fighting, for Better or WorseAugust 18, 2020Fantasia 2020: Survival Skills Plays With All Sorts of ConventionsAugust 19, 2020Fantasia 2020: Clapboard Jungle Offers Insight Into a Different Aspect of FilmmakingAugust 18, 2020Director Steve Rudzinski on his Low-Budget Gem, CarousHELL, Now on TubiAugust 21, 2020FANTASIA 2020: A (very) Small Selection of Our Picks for This Year’s FestivalAugust 17, 2020THIS JUSTIN: We Love Those Who Make The Music.August 8, 2020New Bomb Turks release a ‘Diamond Edition’ of Nightmare Scenario to benefit Columbus orgsAugust 7, 2020THIS JUSTIN: Why Found Footage?August 1, 2020Engage in the visual ASMR that is doggo doc WELL GROOMEDJuly 21, 2020MOST WANTED is the Canadian drug-smuggling investigative journalism thriller you didn’t know you wantedJuly 20, 2020THIS JUSTIN: The Horror Of THE TERMINATORJuly 17, 2020ANALOG ADVENTURES: Shall we explore?July 15, 2020THIS JUSTIN: The Strange World Of Screaming Mad GeorgeJuly 10, 2020THE WAR OF THE WORLDS Criterion Collection Blu-ray ReviewJuly 9, 2020Claire’s 11 Favorite Movies of the Year… So FarJuly 9, 2020Find the Beauty in WE ARE LITTLE ZOMBIES: ReviewJuly 7, 2020STREAM WARRIORS: The strange mysteries of The Beach HouseJuly 6, 2020THIS JUSTIN: Let Us Praise The Glory Of Dog SoldiersJuly 4, 2020FROM THE STEREO TO YOUR SCREEN: A Men in Black double featureJuly 3, 2020Steven Universe is the Queer Cartoon I Wish I Had as a KidJune 29, 2020THIS JUSTIN: Let’s Talk About Lovecraft’s RacismJune 26, 2020What I Learned In Attempting to Create a Comprehensive List of American Films By Black FilmmakersJune 23, 2020Now is Not The Time for Movie TheatersJune 20, 2020Killer Workout’s Bob Husak on the band’s new EP and the slasher for which they’re namedJune 19, 2020THIS JUSTIN: Altered, Lovely Molly, And The Horror Of Sexual AssaultJune 12, 2020Watchmen, Hooded Justice, and Fighting Crime While BlackJune 10, 2020Abel Ferrara’s TOMMASO ReviewJune 10, 2020Black Directed Genre Films Available for StreamingJune 4, 2020Did THE LAST DANCE Make Me Like Basketball?May 29, 2020THIS JUSTIN: The Horror Of Childhood LiteratureMay 29, 2020What is the Snyder Cut?May 21, 2020Chattanooga Film Festival Kicks Off This Friday, May 25, with an All-Digital EditionMay 18, 2020THIS JUSTIN: The Not-So Subtle Horror Of THE SECRET OF NIMHMay 15, 2020THIS JUSTIN: The Fine Art Of Comedic HorrorMay 8, 2020THIS JUSTIN: Randall Flagg And The Dark Side Of American PopulismMay 1, 2020Stream Warriors – HORSE GIRL (2020)April 30, 2020Stream Warriors – BLOOD QUANTUM surprise drops on ShudderApril 28, 2020Karate and Trauma: How BLOODSPORT Helps Me CopeApril 28, 2020Bay Area thrash metal doc MURDER IN THE FRONT ROW is for fans only, but they’ll love itApril 30, 2020THIS JUSTIN: The True Terror Of FIRE IN THE SKYApril 24, 2020THIS JUSTIN: A Retrospective Of Brian Lumley’s NECROSCOPE SagaApril 17, 2020BUTT BOY defies expectationsApril 15, 2020FINAL KILL might not be a traditional action film, but it manages to surpriseApril 13, 2020ICYMI: EL ANGELApril 21, 2020THIS JUSTIN: Mike Flanagan And The Haunting PastApril 10, 2020Analog Adventures: Let’s get weirdApril 7, 2020M.O.M. MOTHERS OF MONSTERS is Found Footage At It’s BestApril 6, 2020THE OTHER LAMB ReviewApril 3, 2020THIS JUSTIN: The Absurd Horror Of Junji Ito and Bentley LittleApril 3, 2020BOOKSHELF: Sam Firstenberg’s career with Cannon and beyond in STORIES FROM THE TRENCHESMarch 29, 2020THIS JUSTIN: The King Is Dead, Long Live The KingMarch 27, 2020Olivia’s Retrospective of Films Seen at Glasgow Film Fest and FrightFest GlasgowMarch 24, 2020FILMS FROM THE VOID: Paul Naschy’s THE BEAST AND THE MAGIC SWORD makes its U.S. debutMarch 17, 2020FROM THE STEREO TO YOUR SCREEN: El DeBarge & SHORT CIRCUITMarch 10, 2020FAIL-SAFE Criterion Collection blu-ray ReviewMarch 9, 2020Analog Adventures: Looking at ORG MusicMarch 9, 2020MVD Rewind’s ‘MIND GAMES’ Blu surprises with its bonus featuresMarch 3, 2020Stream Warriors- BLISS (2019, Shudder)March 4, 2020EARTH GIRLS ARE EASY & The Defense of the Dumb SlutMarch 5, 2020The Dardennes’ YOUNG AHMED ReviewFebruary 23, 2020Yves Boisset’s DOG DAY blu-ray ReviewFebruary 13, 2020José Ramón Larraz’s EDGE OF THE AXE blu-ray ReviewFebruary 13, 2020We Are Here To Love The Wrong People And Die: Romance and Mortality in MOONSTRUCKFebruary 13, 2020Analog Adventures: Lance the Proverbial BoilFebruary 7, 2020CINEPUNX FAVORITES OF 2019February 5, 2020Burt Reynolds’ and Elmore Leonard’s STICK Blu-ray ReviewFebruary 3, 2020Clint Carney & Kelton Jones on DRY BLOOD on its first anniversaryJanuary 14, 2020Special Delivery: DELIVERY BOYS Blu-ray ReviewJanuary 9, 2020FROM THE STEREO TO YOUR SCREEN: Paul McCartney and SPIES LIKE USDecember 19, 2019Analog Adventures: Riffing on a ThemeDecember 18, 2019Drummer Dave Lombardo on Cuba & his score for LOS ÚLTIMOS FRIKISDecember 9, 2019An Interview With Cameron MacGowan (Writer And Director Of RED LETTER DAY)November 20, 2019HOLIDAY HELL is a Mixed BagNovember 20, 2019A Week In the Box (Set): Unpacking NEKROMANTIK 1&2 Alongside AMITYVILLE: THE CURSED COLLECTIONNovember 13, 2019BURIED ALIVE FILM FESTIVAL Kicks Off Tonight In AtlantaNovember 13, 2019Inspiration, Creation and Sharing: VARDA BY AGNES ReviewNovember 12, 2019Ka Is A Wheel: A Review Of DOCTOR SLEEPNovember 6, 2019Cine-Ween: THE GIVEAWAY!!October 31, 2019Cine-Ween: Jillian Rae’s Rob Zombie-inspired video for ‘Buried Alive’ (PREMIERE)October 31, 2019CINE-WEEN: It Isn’t FOR ThemOctober 31, 2019Cine-Ween: TOMB OF IDEAS Presents – A Hair-Raising Hierarchy of High Class Horror HostsOctober 31, 2019BOOKSHELF: Megaforce Records’ founder Jon Zazula on his HEAVY TALESNovember 1, 2019BROOKLYN HORROR FILM FESTIVAL: A Review Of THE SHEDOctober 30, 2019BROOKLYN HORROR FILM FESTIVAL: 1BR ReviewOctober 29, 2019RED LETTER DAY: A ReviewOctober 29, 2019ONE NIGHT IN OCTOBER: A ReviewOctober 29, 2019Cine-Ween: Sequel Harvest: The CHILDREN OF THE CORN SeriesOctober 29, 2019Cine-Ween: A Buyer’s Guide to Your Perfect Halloween PetOctober 28, 2019Cine-Ween: Dan Curtis: King of TV HorrorOctober 29, 2019An Interview with David Marmor (1BR Director): BROOKLYN HORROR FILM FESTNovember 1, 2019Cine-Ween: The Top 20 (and Then Some) Horror Movies of the Last 20 YearsOctober 25, 2019CINE-WEEN: Trick-or-Treating with the Geto Boys, Gravediggaz, and Brotha Lynch HungOctober 25, 2019Cine-Ween: THE POLITICS AND HORROR OF PERFORMANCE IN SUSPIRIA (2018)October 28, 2019CINE-WEEN: I’M JUST F*CKING WITH YOU – AN ANALYSIS OF TROLLINGOctober 30, 2019Cine-Ween: THE VILLAIN OF A THOUSAND MASKSOctober 23, 2019Brooklyn Horror Film Festival: THE SWERVE Is A Haunting And Beautiful Examination Of Mental IllnessOctober 22, 2019Brooklyn Horror Film Fest: Phil ‘C.M. Punk’ Brooks talks his feature debut, GIRL ON THE THIRD FLOOROctober 22, 2019Brooklyn Horror Film Fest: KOKO-DI KOKO-DA is an experience unto itselfOctober 22, 2019Brooklyn Horror Film fest: PORNO Nails the ‘Film Within a Film’ GenreOctober 21, 2019Brooklyn Horror Film Fest: THE YELLOW NIGHT has potential, but never quite reaches itOctober 23, 2019Cine-Ween: How Phantasm Taught Me Why I Love HorrorOctober 21, 2019Cine-Ween: Finding Hope in HorrorOctober 24, 2019(CINE-WEEN) My First Fantastic Fest Was Insane, Now Please Let Me SleepOctober 16, 2019CINE-WEEN: “What’s The Most Terrifying Thing You’ve Seen in a Movie?”October 17, 2019Cine-Ween: The Twin Seductions of Romance and HorrorOctober 18, 2019Cine-Ween: WHO’S AFRAID OF IKIRU?October 15, 2019Cine-Ween: UNDERRATED HORROROctober 14, 2019Cine-Ween: UNIVERSAL’S HALLOWEEN HORROR NIGHTS AND CLASSIC FILM TO MAZE ADAPTATIONSOctober 12, 2019Cine-Ween: A Brief Interview with Clay McLeod Chapman on ‘The Remaking’October 15, 2019(CINE-WEEN) Disposable Vanity: EYES WITHOUT A FACE and Beauty October 11, 2019Teaching About Violence in JOKER’s GothamOctober 11, 2019DEMENTER: A Review By Justin LoreOctober 11, 2019ANALOG ADVENTURES: Handwritten InclusionsOctober 10, 2019BROOKLYN HORROR FILM FESTIVAL kicks off its fourth year this weekOctober 14, 2019CINE-WEEN: Demons of the Mind-Halloween and the Satanic PanicOctober 8, 2019CINE-WEEN: Pledging at Slasher UOctober 9, 2019Cine-Ween: On IT’s Stan the ManOctober 10, 2019CINE-WEEN: ZOMBIELAND at TenOctober 7, 2019CINE-WEEN: The Grim Attraction to Haunted AttractionsOctober 5, 2019The House That Fatih Akin Built: THE GOLDEN GLOVE ReviewOctober 3, 2019CINE-WEEN 2019: A Dark CelebrationOctober 1, 2019CINE-WEEN: Jeffrey Combs on NEVERMORE & PoeOctober 2, 2019Transgressions, Taboos, and Tentacles: A Review of Owen Long’s SEEDSOctober 1, 2019CINE-WEEN: Inspired by the Motion PictureOctober 4, 2019EVENT HORIZON: One Person’s Journey (CINE-WEEN)October 3, 2019Guerillas, Violencia y Fantasmas Que Vuelven: TIGERS ARE NOT AFRAID ReviewSeptember 16, 2019Films From the Void: MANSON FAMILY MOVIES is realistic, for better or worseSeptember 11, 2019IT: CHAPTER TWO, Or: How I Learned to Stop Worrying and Float Down HereSeptember 10, 2019Reviving METAL NOIR: Talking to SOVHorror.com’s Tony MasielloAugust 26, 2019This Guy Is Like The Terminator: THE MARINE FranchiseAugust 23, 2019ANALOG ADVENTURES: Loud Quiet LoudAugust 19, 2019FILMS FROM THE VOID: The Nearly-Lost SOV Madness of METAL NOIRAugust 13, 2019BOOKSHELF: SUBURBAN GRINDHOUSE is More Than Just Another Review CompendiumJuly 19, 2019Review: MEDIAS RES-Impressive Micro-Budget Neo-NoirJuly 15, 2019ANALOG ADVENTURES: Les pioneers du rockJuly 3, 2019FROM THE STEREO TO YOUR SCREEN: The Smithereens and TIMECOPJuly 1, 2019INTERVIEW: Filmmaker Aaron Michael Thomas, Creator of BY ANY MEANS, a Documentary About Black FlagJune 21, 2019CINEPOCALYPSE 2019: VILLAINS Might Not Stick the Landing, But the Run-Up is PerfectionJune 19, 2019CINEPOCALYPSE 2019: DEADCON is D.O.A.June 19, 2019FRANKENHOOKER: Camp, Sex Work, and Toxic MasculinityJune 20, 2019CINEPOCALYPSE 2019: THE SWERVE is a ‘Lovingly Crafted and Punishing Affair’June 18, 2019CINEPOCALYPSE 2019: MOPE is ‘Utterly Sticky Nihilism’June 14, 2019CINEPOCALYPSE 2019 is Coming! (You Should Go)May 15, 2019ANALOG ADVENTURES: Long Time ComingMay 29, 2019BOOKSHELF: Exploring Lesser Known Cinematic Stories With FORBIDDEN HOLLYWOOD and HOLLYWOOD BLACKMay 6, 2019’90s Ska Doc PICK IT UP! Is For All the Checkerboard-Clad Kids Out ThereApril 25, 2019FILMS FROM THE VOID: Aliens Invade Tulsa in 1986’s MUTILATIONSApril 22, 2019In the Valley Below’s Angela Gail Invites You to Drink Champagne in THE PINK CHATEAUApril 12, 2019PET SEMATARY (2019) Fails to Capture The Book’s Stony HeartApril 4, 2019Grady Hendrix on the PAPERBACKS FROM HELL Reissues and Christopher Pike NovelsApril 2, 2019Big Eyes’ Kait Eldridge On the Band’s Ever-Evolving Sound and Their New LP, STREETS OF THE LOSTMarch 29, 2019Blood, Sex and Falsies: Ed Wood’s Erotic Short Fiction Returns to Spread ANGORA FEVERMarch 26, 2019Neon Indian’s Alan Palomo On His Score For the Hypnotically Repulsive RELAXERMarch 22, 2019How CAPTAIN MARVEL Pulled Off That Third Act TwistMarch 12, 2019FROM THE STEREO TO YOUR SCREEN: Guns N’ Roses and TERMINATOR 2March 14, 2019BOOKSHELF: Qiana Whitted’s Brilliant Analysis of EC Comics “Preachies”March 12, 2019SPECIAL EVENT: STARFISH Screening and Q&A w/ Director Al WhiteMarch 4, 2019NOTHING TO DO: An Honest Look at Family Pathologies, Grief and Human VulnerabilityMarch 1, 2019Witches In Contemporary Cinema and Television: A Radical Feminist AestheticFebruary 20, 2019ANALOG ADVENTURES: Must Love Dio, Priest, and MaidenFebruary 20, 2019A Brief Primer in Black Horror Inspired by HORROR NOIREFebruary 22, 2019BOOKSHELF: Bill Schelly’s James Warren Biography is a Horror Nerd’s DreamFebruary 25, 2019WOMEN IN HORROR MONTH: Talking With Diane Franklin About Her Return to AmityvilleFebruary 8, 2019BOOKSHELF: Craig Oldham Reveals the Details of Making THEY LIVE: A VISUAL AND CULTURAL AWAKENINGFebruary 4, 2019Review: HORROR NOIRE Offers Fresh Perspectives on Representation in the GenreFebruary 1, 2019The Printed Screen: DARKMAN (1990) (Part 3 of 3)April 30, 2019BOOKSHELF: SUPERHERO BODIES Explores the Endless Permutations of IdentityJanuary 28, 2019Undermining the Patriarchy and Fascism: Ana in THE SPIRIT OF THE BEEHIVEJanuary 25, 2019ANALOG ADVENTURES: Looking at Run Out GrooveJanuary 24, 2019NEGRO TERROR Offers Up an Interesting Profile of the Memphis Hardcore BandJanuary 21, 2019Kansas City’s Inner Altar Melds Hardcore’s Bite With Occult Rock TheatricalityJanuary 14, 2019Rekt: LAND OF MINEJanuary 14, 2019ANALOG ADVENTURES: Taking Back Sunday and Paul JacksJanuary 10, 2019Talking Her Career (and That Amazing CUTTING CLASS Interview) With Jill SchoelenJanuary 7, 2019BOOKSHELF: Richard Lloyd’s EVERYTHING IS COMBUSTIBLE Burns With Fascinating StoriesJanuary 3, 2019Cinepunx’s Best of 2018January 1, 2019SPIDER-MAN: INTO THE SPIDER-VERSE Overturned All My ExpectationsDecember 31, 2018Evolution Televised: Women’s Wrestling in 2018December 28, 2018REVIEW: AQUAMAN Not Quite a Sea Change, But Definitely a Course CorrectionDecember 20, 2018Ho, Ho, Horror: All of the Seasonally Appropriate Genre Fare I Could StomachDecember 17, 2018DEATH HOUSE is Less ‘THE EXPENDABLES of Horror’ and Instead Completely DisposableDecember 12, 2018VIRGIN BLACKTOP: A New York Skate OdysseyDecember 5, 2018Rekt: THE GREAT SILENCEDecember 3, 2018BOOKSHELF: BLOOD, FIRE, DEATH Gives a Human Face to Extreme MetalDecember 3, 2018The Printed Screen: DARKMAN (1990) (Part 2 of 3)January 2, 2019REKT: HEAD – A Monkees Masterpiece or an Unwatchable Mess?November 28, 2018REVIEW: OVERLORD Offers a Fresh Take on War and the UndeadNovember 27, 2018FROM THE STEREO TO YOUR SCREEN: Bryan Ferry and LEGENDNovember 29, 2018BAFF 2018: AMAZON HOT BOX Blends Every Women-in-Prison Movie EverNovember 28, 2018BAFF 2018: DEAD BY MIDNIGHT (11PM CENTRAL) is One Hell of a Midnight MovieNovember 26, 2018BAFF 2018: Scandanavian ShortsNovember 12, 2018BOOKSHELF: Karina Longworth’s SEDUCTION Tells the Stories of Women in Howard Hughes’ ShadowNovember 12, 2018NIGHT VISIONS: Revisiting The Henry Rollins-Hosted Horror Anthology ShowNovember 1, 2018Fate, Up Against Your Will: The Horror of HALLOWEEN (CINE-WEEN)October 31, 2018The Pasolini Project CINE-WEEN Edition: Songs About Pasolini (ft. Coil and Scott Walker)October 31, 2018The Things They Do With Special Effects These Days: An Appreciation of THE HOWLING (1981)October 31, 2018CINE-WEEN: Watching Otto Preminger’s LAURAOctober 30, 2018CINE-WEEN: Talking THE WEIRDEST MOVIE EVER MADE With Journalist Phil HallOctober 30, 2018SILENCIO is An Emotional Hodge-Podge of GenresOctober 26, 2018CINE-WEEN Celebrates the THE WNUF HALLOWEEN SPECIAL with Filmmaker Chris LaMartinaOctober 25, 2018Cine-Ween: OVER THE GARDEN WALL and Embracing the UnknownOctober 24, 2018CINE-WEEN – Martin: The Only Vampire Film That Really MattersOctober 22, 2018Escape Through Lunacy: Philadelphia’s Dark Music Pioneer Releases New AlbumOctober 22, 2018Brooklyn Horror Film Festival: CAMOctober 19, 2018CINE-WEEN: DEAD & BURIED – Digging Up the GoodsOctober 18, 2018CINE-WEEN: Confessions of a Former Fraidy CatOctober 17, 2018CINE-WEEN: Death And Decay In The HeartlandOctober 19, 2018Brooklyn Horror Film Festival: An Interview With THE CLOVEHITCH KILLER’s Duncan SkilesOctober 18, 2018Brooklyn Horror Film Festival: STARFISH (2018)October 16, 2018CINE-WEEN: 86ed’-ALIENS and the Music of the USCMOctober 23, 2018Brooklyn Horror Film Festival: CANNIBAL CLUBOctober 17, 2018CINE-WEEN: BLOODLUST; Or, How I Learned to Empathize with a Blood-Drinking NecrophiliacOctober 16, 2018Brooklyn Horror Film Festival: WELCOME TO MERCYOctober 16, 2018CINE-WEEN: How I Finally Got Around to Watching the Original SUSPIRIA Just in Time For That New ShitOctober 11, 2018CINE-WEEN: You’ll Never Escape From the DARK NIGHT OF THE SCARECROWOctober 10, 2018CINE-WEEN: IT’S ALIVE! Celebrates 200 Years of Visual Artistry Around FrankensteinOctober 9, 2018Horror Fan Parenting 101: A Guide to One Dad’s Halloween ProgrammingOctober 15, 2018REKT: CINE-WEEN EDITION-ALTERED (2006)October 8, 2018REKT: CINE-WEEN Edition – THE SHRINE (2010)October 4, 2018CINE-WEEN: Why I Keep October SpookyOctober 2, 2018WELCOME TO CINE-WEEN 2018October 1, 2018CINE-WEEN: Put Some Terror on Your Turntable With Pig Baby’s Deadbolt reissuesOctober 2, 2018Rekt: THE NINTH CONFIGURATIONOctober 1, 2018CINE-WEEN: An Invitation to the DanceOctober 3, 2018Free State Festival: A Week in ReviewSeptember 24, 2018WHINE & CHEESE 3: THE MOON IS DOWN / KEEPING THE FAITHSeptember 19, 2018The Brooklyn Horror Film Festival is On the Way Next Month!September 17, 2018Bookshelf: Grady Hendrix’s WE SOLD OUR SOULS is a Love Letter to Heavy Metal and FriendshipSeptember 5, 2018Rekt: NINJA BUSTERSAugust 31, 2018WHINE & CHEESE 2: BLUE ALBUM / BLUE CRUSHSeptember 2, 2018WHINE & CHEESE 1: AMERICAN FOOTBALL / VARSITY BLUESSeptember 2, 2018The Printed Screen: DARKMAN (1990) (Part 1 of 3)October 29, 2018The Pasolini Project: A Journey Into Pasolini, PART 4: THE HAWKS AND THE SPARROWSAugust 2, 2018SWEET SWEETBACK’S BADASSSSS SONG Has Never Been Sung So SweetlyJuly 6, 2018GODMONSTER OF INDIAN FLATS provides social commentary & a mutated sheepJuly 9, 2018XTRO: Not All Aliens Are Friendly, or Cute, or Particularly LucidJuly 5, 2018REKT: Queen – Live at WembleyJune 27, 2018Bookshelf: INTO THE VALLEY & WE ARE THE CLASH Explore Less-Examined Punk StoriesJune 14, 2018REKT: The Watermelon WomanJune 11, 2018The Pasolini Project: A Journey Into Pasolini – PART 3: THE GOSPEL ACCORDING TO ST. MATTHEWMay 30, 2018
