On this episode of YOU DON’T KNOW DICK we’re boldly going where no podcast has gone before with Dick Miller in the Star Trek: Deep Space Nine two-parter ‘Past Tense’. Wildly considered one of the best (and most prescient) episodes of the series, it looks at the state of cities in the far off future of 2024 and how struggling people are carted off to walled off ‘sanctuaries’, and one of the people guarding these sanctuaries is none other than Dick Miller. Joining us on this trek across the stars is our Bartel Me Something Good podcast co-host (and Trekkie) Adrianna Gober, who makes the case of DS9 being the best of all Star Treks, and is utterly baffled by the choice to watch a Rod Stewart music video (also featuring Dick Miller). A good time was had by all. CHECK IT OUT!
On this episode of the podcast, Julie and Nick talk about director Juel Taylor’s new sci-fi horror comedy, They Cloned Tyrone, out now on Netflix. In addition to what they think about the film, the pair recommend some other conspiracy horror, dig into a bunch of images from forthcoming Fantastic Fest movies, and discuss trailers galore for The Kill Room, Minore, Elevator Game, and more. Plus, Julie and Nick ask each other how you could determine the real them from a clone.
https://media.blubrry.com/cinepunx/cinepunx.com/wp-content/uploads/2023/08/HBEP138_mixdown.mp3Podcast (horrorbusiness): Play in new window | DownloadSubscribe: RSS Greetings, and welcome back to Horror…
Jackie Chan in AMERICA! On this episode of WE DO OUR OWN STUNTS Jackie makes his first American excursion to star in the Robert Clouse directed comedy-action vehicle THE BIG BRAWL (aka BATTLE CREEK BRAWL). Despite Jackie knowing very little English (and having to promote the film on American television) and working a very different style than he was used to, the film is actually a ton of fun – as long as you don’t go in expecting the acrobatic fighting from his recent Hong Kong films. We also chat about the recent RIDE ON controversy, Jackie’s appearances in HIDDEN STRIKE and TEENAGE MUTANT NINJA TURTLES: MUTANT MAYHEM, and SO MUCH MORE. Check it out!
On today’s episode of the Shame List Picture Show we are joined by co-host of The VHS Vault and burlesque artist Kate Kadaver to discuss Joe D’Amato’s BEYOND THE DARKNESS.
For the 6th part of their INFERNO event coverage, Trey & James are joined by comics writer Drew Edwards to discuss comics featuring Spider-Man, the Fantastic Four, and the X-Men!
They took his girl. Now he’s talking them STRAIGHT TO HELL! On this episode of WHATEVER HAPPENED TO VIC DIAZ we’re getting properly post-apocalyptic with Cirio H. Santiago’s Mad Max-“inspired”, giant gun classic EQUALIZER 2000 starring Richard Norton (/w frosted tips), Corinne Wahl and a VERY young Robert Patrick in only his second ever role! There’s lots of gunfire, explosions and – blissfully – almost no plot to be concerned with, and it delivers the promise of a very big gun that mows down tons of faceless bad guys. HOORAY. We also chat a bit about the long tradition of post-apocalyptic films and some of our favs, and – of course – we dive into an appearance by the legendary Vic Diaz. CHECK IT OUT!
On this episode of the podcast, Julie and Nick talk about directors Danny and Michael Philippou’s new possession horror, Talk to Me, out now in theaters from A24.
We tried. We tried our best to find some small piece of enjoyment in Dennis Dugan’s bafflingly misguided I NOW PRONOUNCE YOU CHUCK & LARRY, a film about two straight firefighters (played by Adam Sandler and Kevin James) who decide to get married in order to deal with some uncomfortable pension-related paperwork. Overstuffed with pitiful racist, sexist and homophobic stereotypes, it’s – even worse – completely unfunny, and has a horribly confused message at its core. Yeesh. Anyway, we get angry about that, but there’s also plenty of chat about the ongoing writer/actor strike, and – of course – all the latest Steve Buscemi news. CHECK IT OUT, JERKS.
On today’s episode, Michael and podcaster Mark Krawczyk discuss the film that put Nicolas Winding Refn on the map — DRIVE. While DRIVE is far from Refn’s first film or his first success, it is the film that made him known on a whole larger level and is probably his biggest mainstream success to date.


