A music documentary that doesn’t play like a pop culture history piece, a kind of…

A music documentary that doesn’t play like a pop culture history piece, a kind of…
When Nathaniel Shannon approached me with the proposal that Cinepunx handle the premiere of the…
François Ozon’s newest film will, unfortunately, inevitably be compared to Call Me By Your Name…
Zoé Wittock’s feature film debut is destined to cause quite a stir by anyone reducing…
I have long admired Quentin Dupieux’s films more than enjoyed them. Maybe his sense of…
The most dreaded moment in any relationship is when the question, “are things getting weird…
It’s been a difficult, turbulent year for film production and exhibition amid the chaos of…
“Mickey and Jules are lovers on the run, headed southbound for a fresh start in…
As a nearly 40 year-old man, I’m likely not the target audience for Deadcon. That…
The Swerve is the striking — and strikingly depressing — feature debut from New Jersey-based director…