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Greetings, and welcome back to Horror Business. We’ve got one heck of an episode in store for you guys, as we’re talking about 1971’s Blood From The Mummy’s Tomb and 1981’s Dawn Of The Mummy.
First off, thank you to the fine folks over at Lehigh Valley Apparel Creations, the premiere screen-printing company of the Lehigh Valley. Chris Reject and his merry band of miscreants are ready to work with you to bring to life your vision of a t-shirt for your business, band, project, or whatever else it is you need represented by a shirt, sweater, pin, or koozie. Head on over to www.xlvacx.com to check them out. And as always thank you to our Patreon subscribers. Your support means the world to us and we are eternally thankful. If you would like to become a Patron, head to patreon.com/cinepunx. Thanks in advance!
We briefly talk what we’ve doing involving horror recently. Liam talks about watching the film The Last Sacrifice on Shudder, and Liam and Justin talk about Night Patrol. Liam talks about starting the series of books The Locked Tomb, and Justin talks about seeing the films We Bury The Dead and Primate.
Up first is Blood From The Mummy’s Tomb. We talk about how it has a disappointingly low number of mummies, how it’s a woefully forgettable film and how it’s very boring for a film of that era.
Justin talks about how the film seems to drop several hints at things to come later but never gives any payoff.
We discuss the phenomenon of fetishization of the Middle East and the othering of Egyptian culture, and how for a period Egypt was, to Britain, the ultimate “other.”
Up next is Dawn Of The Mummy. We open by talking about how the movie feels very Italian despite being an American production, and how the movie feels like a zombie movie with mummies instead of zombies.
We discuss how the film is a perfect encapsulation of how imperialism and colonialism desecrate and trivialize ancient Egyptian culture. Liam talks about how despite the film starting out slow, it becomes a full-blown massacre involving dozens of mummies.
We make it a point to describe the film as “fun” instead of “actually good” and talk about how the film has lots of “requisite ’80s checked boxes.”
As always, thank you for listening and to everyone and anyone who donated on Patreon, checked this episode out, or shared a tweet/shared a post on FB/gave us love by recommending us to someone. We love you forever for listening and donating. Any questions, comments, suggestions for movies and guests, or if you yourself want to join us for a movie viewing or even an episode, can be sent to [email protected]. We would love to hear from you! Thanks always to Justin Miller, Jacob Roberts, Paul Sharkey, and Doug Tilley for their technical contributions and fliers, Mike Smaczylo for the shirts and fliers (you can check more of his work out at here), and also thanks to Josh Alvarez for the theme song, Chris, Brad, and LVAC for the support and buttons (check them out at www.xlvacx.com and on Twitter), and a HUGE thank you to anyone who retweeted us or shared something on Facebook that we posted. Follow us on Twitter and Instagram at @thehorrorbiz666, like us on Facebook at facebook.com/thehorrorbiz66, check out our Spotify account at Cinepunx, and remember to rate, review, and subscribe to us on ITunes. In fact, if you write us a review, email us with your mailing address and we’ll send you some free pins and stickers! Check out www.cinepunx.comfor more info on some of our other podcasts, some ultra-stylish Cinepunx related merchandise, and how you can donate to our Patreon! Until next time…thanks!
