Greetings, and welcome back to Horror Business. We have one awesome episode in store for you guys. On this episode we’re celebrating the Women In Horror Month, and we were lucky enough to be joined by Ashlee Blackwell from Graveyard Shift Sisters to discuss the role of black women in horror films. In a bit of a departure from our usual format we’ll be discussing three short films instead of two feature length films: R. Shanea Williams Paralysis, Maria Wilson’s Venefica, and Bree Newsome’s Wake.

First and foremost we want to give a shoutout to our sponsors over at Lehigh Valley Apparel Creations, the premiere screen-printing company of the Lehigh Valley. Chris Reject and his merry band of miscreants are ready to work with you to bring to life your vision of a t-shirt for your business, band, project, or whatever else it is you need represented by a shirt, sweater, pin, or coozy. Head on over to to check them out. Thanks!

We begin by talking about what we’ve done in horror recently. Ashlee talks about seeing The Ritual and the current season of Syfy’s Channel Zero, as well as the Exorcist TV series. Justin talks about rereading Joe Hill’s horror fantasy comic series Locke & Key. Liam talks about reading Red Dragon. 

Ashlee begins by talking about why she started Graveyard Shift Sisters. She talks about being a “minority within a minority” and starting the website in order to bring black women in from the outskirts of the horror community and within horror films, and to highlight the role black women often play in horror films. She notes that the underrepresentation of black women in horror films, both starring in and consuming, is something that needs to be addressed. The problem of horror being a culture somewhat resistant to addressing issues of race and misrepresentation/underrepresentation is discussed, as is the concept of the ‘white gaze’ in horror film. There is a brief discussion on Jordan Peele’s work in the film Get Out and how it brought to light subjects some people were uncomfortable with.

First up is 2010’s Wake. Ashlee talks about her acquaintance with the film, and how it personifies the idea of a “Southern Gothic horror film.” She talks about the recent phenomenon of black women staying single, or “black women ain’t gonna get married”, and the desirability of black women as a whole. The phenomenon of rootwork is touched upon, and black horror’s highlight of non-Christian religions and folk magic is discussed. Ashlee argues that the three bystanding women in the film represent society as a whole telling black women they aren’t good enough for a man. Some of the technical aspects of the film are discussed, as are some of the tragic aspects of the film. The idea of gaining power in a world in which you have none is discussed. The concept of short films being great because of their length is briefly touched upon.

Up next is R. Shanea Williams’ 2015’s Paralysis. Ashlee talks about her background with the filmmaker and about being a fan of her other works. She talks about Williams’ ability to craft well defined characters, as well as her ability to craft mood and tone. The difference between the feeling of “horror” and “terror” is discussed. Justin talks the recent upswing in interest in the concept of sleep paralysis, and how the film deals with the idea of questioning ones own sanity. The idea of which is scarier (external forces acting upon you, or your own mind creating something) is examined. The idea of the unknown, and the uncertainty around it, being truly scary is touched upon. The lack of access to mental health care black women suffer from is discussed. Ashlee discusses seeing the film with an all black audience and how that lent to the experience.

Finally we have 2016’s Venefica. We talk about how the film was written, directed, and starred by one person, the unspoken way some of the more horrific elements of the film are introduced. Justin talks about how he loved the abrupt ending of the movie and the horror it suggests. Ashlee talks about her background with the film and how she became acquainted with it, and also the idea of the horror of the unknown. Liam talks about the way the film misleads the viewer, and encourages people to watch the short films on Shudder more often.

A very special thanks to Ashlee for being gracious enough to join us and bless us with her presence. This episode was a long time coming and it definitely was worth the wait. You can find out more on her work here and she can be followed on Twitter at @GraveyardSister. As always thanks to everyone and anyone who donated on Patreon, checked this episode out, or shared a tweet/shared a post on FB/gave us love by recommending us to someone. We love you forever for that. Any questions, comments, suggestions for movies and guests, or if you yourself want to join us for a movie viewing or even an episode, can be sent to [email protected]. We would love to hear from you! Thanks always to Justin Miller and Doug Tilley for their technical contributions and fliers, Mike Smaczylo for the shirts and fliers (you can check more of his work out at here), and also thanks to Josh Alvarez for the theme song, Chris, Brad, Alexis, and LVAC for the support and buttons (check them out at, and a HUGE thank you to anyone who retweeted us or shared something on Facebook that we posted. Follow us on Twitter at @thehorrorbiz666, like us on Facebook at, and remember to rate, review, and subscribe to us on iTunes. In fact, if you write us a review, email us with your mailing address and we’ll send you some free pins and stickers! Check out for more info on some of our other podcasts, some ultra stylish Cinepunx related merchandise, and how you can donate to our Patreon! Until next time…thanks!


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