https://media.blubrry.com/cinepunx/cinepunx.com/wp-content/uploads/2025/09/Perverse_Permission_WongJing3.mp3Podcast (perversepermission): Play in new window | DownloadSubscribe: RSSOur Wong Jing series continues with a…
Dealing with grief is never easy, and it’s sometimes made worse by the attitude of…
One of the oldest and most hated tropes in movies is the dog dying. There’s…
Two gang members pull a double cross on Claudio Cassinelli’s Raul Montalbani after a bank robbery in Mario Caiano’s occasionally spirited 1976 film BLOODY PAYROLL (aka VIOLENT MILAN). BIG MISTAKE! Cassinelli spends most of the film tracking them down to get a little revenge, helped by the sympathetic sex worker Leila. It’s bookended by some terrific action (especially the car and motorcycle chases in the first thirty minutes, but then settles down into some Noir-ish score settling buoyed by a terrific, jazzy soundtrack. But what did we think? CHECK IT OUT!
https://media.blubrry.com/cinepunx/cinepunx.com/wp-content/uploads/2025/09/CPEpisode209.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | RSSHey friends, good to see…
On this episode of the podcast, Julie and Nick take a look at director Sean Byrne’s serial killer sharksploitation movie, Dangerous Animals, now on Shudder. They also suggest a few more sharksploitation flicks, along with Byrne’s complete filmography and talk about what they did on their respective summer vacations. Plus, the pair discuss trailers galore for Nightmares of Nature, Coyotes, Dust Bunny, and more (all of which you can check out below), while also digging on Lady Gaga’s new music video for “The Dead Dance.”
https://media.blubrry.com/cinepunx/cinepunx.com/wp-content/uploads/2025/09/Perverse_Permission_WongJing2.mp3Podcast (perversepermission): Play in new window | DownloadSubscribe: RSSWe’re back for part two of our…
Your Oliver Reed-loving pals are BACK on a brand new episode of FURTHER REEDING and we’re checking out the filmed-in-Denmark 1972 science fiction oddity Z.P.G., where Reed and Geraldine Chaplin play a couple in a dystopian near-future where childbirth has been outlawed. Instead people cling onto weird child-like automatons while slowing losing their minds and eating steak-flavored paste. That’s good eating! When Chaplin’s Carol decides she wants to have a baby anyway things get.. pretty goofy, especially when the neighbors discover the couple’s not-very-well-hidden secret. It’s strange! Check it out!
https://media.blubrry.com/cinepunx/cinepunx.com/wp-content/uploads/2025/09/Eros_Massacre_KKurosawa1.mp3Podcast (erosplusmassacre): Play in new window | DownloadSubscribe: RSSIt’s officially the beginning of Halloween season…
Uh oh! The gang is back talking all things Paul Bartel on another episode of BARTEL ME SOMETHING GOOD and this time not only are we yacking about 1976’s HOLLYWOOD BOULEVARD, the made-for-a-bet directing debut of both Joe Dante AND Alan Arkush (and featuring Paul Bartel, Dick Miller and Mary Woronov among many other familiar faces), but we also start with a very special episode of Alfred Hitchcock Presents from 1985 directed by Tim Burton(!), featuring music by Danny Elfman(!) and starring Griffin Dunne, Laraine Newman and – wait for it – Paul Bartel as a pretentious art critic. It’s even.. uh.. sort of an adaptation of a Ray Bradbury story. All that and so much more, so enjoy!