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Cinema Smorgasbord – Further Reeding – Women in Love (1969)

Cinema Smorgasbord, Podcasts on September 23, 2024 0Comments 0Likes

You can’t have an Oliver Reed-themed podcast without eventually dipping into the works of the legendary Ken Russell, and we stick our toes in for the first time with his 1969 melodramatic adaptation of D. H. Lawrence’s beloved – and controversial – 1920 novel, Women in Love. Starring Reed alongside Alan Bates, Glenda Jackson and Jennie Linden, the film examines love, sex and death in all manner of permutations, and manages to fit in some notorious nude man-on-man grappling just for fun. We go deep on the film’s explicit queerness, the difficulty of working with temperamental actors (and directors) and so much more. ENJOY!

Cinema Smorgasbord – You Don’t Know Dick – The Wild Angels (1966)

Cinema Smorgasbord, Podcasts on September 2, 2024 0Comments 0Likes

On our first episode of YOU DON’T KNOW DICK since Roger Corman’s passing at the age of 98 we’ve brought in those ringers from The New World Pictures Podcast to help us discuss Corman’s lasting legacy, their favorite Roger Corman-directed films, biker gangs and biker movies, and – specifically – 1966’s THE WILD ANGELS featuring Peter Fonda, Nancy Sinatra, Bruce Dern, Diane Ladd and – OF COURSE- the legendary Dick Miller. Check it out, you squares!

Cinema Smorgasbord – You Don’t Know Dick – The Student Teachers (1973) (/w Scott Drebit)

Cinema Smorgasbord, Podcasts on April 22, 2024 0Comments 0Likes

On a brand new episode of YOU DON’T KNOW DICK (the world’s finest Dick Miller-themed podcast) we’re joined by A CUT BELOW: A CELEBRATION OF B HORROR MOVIES, 1950s-1980s author Scott Drebit to discuss the sexploitation comedy/thriller THE STUDENT TEACHERS from 1973, with Susan Damante, Brooke Mills, CHUCK NORRIS(?) and Dick Miller!! We also talk about Dick Miller’s cut appearance from PULP FICTION, the state of b-movies in 2024 and ALL THINGS DICK MILLER!

Cinema Smorgasbord – Further Reeding – Castaway (1986)

Cinema Smorgasbord, Podcasts on October 2, 2023 0Comments 3Likes

On this episode of FURTHER REEDING, Oliver Reed and Amanda Donohoe have only gone and got themselves stranded on a desert island and have to survive, but – GET THIS – they did it on purpose in Nicolas Roeg’s CASTAWAY from 1986. Based on a bizarre true story, it involves a whole lot of nudity and Oliver Reed acting like a maniac so you know we had to talk about it. Sadly, it’s a bit hard to track down (unless you write the title and year of release into YouTube), so you’ll just have to listen to us describe it and try to use your imagination to picture all the nudity. ENJOY!

Cinema Smorgasbord – Praising Kane – Norman Loves Rose (1982)

Cinema Smorgasbord, Podcasts on May 29, 2023 0Comments 1Like

On a very uncomfortable new episode of PRAISING KANE – the world’s finest chronological Carol Kane podcast – we look at the incredibly bad taste Australian comedy NORMAN LOVES ROSE from 1982, featuring a young boy’s fascination with his sister-in-law evolving into a sexual relationship that ends up with her pregnant. Yeah, it’s bad. We also chat about all the latest Carol Kane news (Star Trek! Taxi!) and question our life choices. CHECK IT OUT!

Cinema Smorgasbord – Wild in the Streets – Madness (1980)

Cinema Smorgasbord, Podcasts on November 28, 2022 0Comments 0Likes

On a brand new episode of WILD IN THE STREETS, we’re going One Step Beyond with Warhol superstar Joe Dallesandro in the sleaze-filled home invasion thriller MADNESS from director Fernando Di Leo. Featuring plenty of uncomfortable nudity and most of the soundtrack to Caliber 9, MADNESS has hunky Joe terrorizing a married couple (along with the wife’s seductress sister) while trying to uncover some stolen riches stashed in their fireplace. All that, a giant poster of John Travolta that looms menacingly over the proceedings. Is it any good? Listen and find out!

Cinema Smorgasbord – Bartel Me Something Good – Private Parts (1972)

Cinema Smorgasbord, Podcasts on May 30, 2022 0Comments 0Likes

We continue our chronological look at the career of the great Paul Bartel with his feature length debut PRIVATE PARTS from 1972. Equal parts perverse and hilarious, it’s a film that is filled with twists and turns and set the blueprint for much of what was to come from the always unpredictable director. We’re also looking at Bartel’s 1969 short film NAUGHTY NURSE, which showed that Bartel’s taste for boundary pushing was something that came about very early in his career.