After a less-then-fruitful experience in the US (filming THE BIG BRAWL and THE CANNONBALL RUN), Jackie returned to Hong Kong with a blank check from Golden Harvest and a chip on his shoulder. The result was plenty if bumps, bruises and 1982’s DRAGON LORD, which serves as a transitionary period between the old-school kung fu films of his past and the stunt-heavy films (with higher production value) that would define his work in the 1980s. In this episode of WE DO OUR OWN STUNTS we break down the good and bad of DRAGON LORD, its two cuts, and the two bravura sequences within. LISTEN!
