Tobe Hooper gets a bad rap as a director. Sure, he gets credit for THE TEXAS CHAIN SAW MASSACRE and, if you’re the right sort of horror fan, TEXAS CHAINSAW MASSACRE 2, but beyond that his filmography is often glossed over, ignored, or credited to other collaborators. And yet Hooper directed several impressively creepy (and, occasionally, wickedly funny) horror films that did not involve Texas or chainsaws. One such film worthy of reconsideration is his 1976 film EATEN ALIVE! (aka STARLIGHT SLAUGHTER, aka HORROR HOTEL, aka DEATH TRAP, aka LEGEND OF THE BAYOU).
David Carradine POPS THE CLUTCH again in Paul Bartel’s follow-up to Death Race 2000, which features a cross-country race full of oddballs competing for a huge cash prize. Featuring an awesome cast of recognizable faces (Mary Woronov! Gerrit Graham! Robert Carradine! DICK MILLER! Joe Dante!) and even more awesome cameos (Martin Scorsese eating KFC with Bartel and Sylvester Stallone), it’s a sometimes shaky, but always entertaining, collection of comedy, musical numbers (?) and car stunts. Find out how it all came together on this brand new episode of BARTEL ME SOMETHING GOOD.
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On this episode of We Do Our Own Stunts we’re continuing our look at the early career of Jackie Chan with the Jimmy Wang Yu-starring THE KILLER METEORS, which features the first collaboration between Jackie and Wang Yu (though their fates would entwine a few years later) as well as Jackie playing a VILLAIN! It’s a bizarre, and sometimes incomprehensible, high-flying martial arts epic, but it’s still a lot of fun. Let’s check it out!
We continue our chronological look at the career of Carol Kane with the notorious 1976 flop HARRY AND WALTER GO TO NEW YORK! Despite a packed cast that includes Elliott Gould, James Caan, Diane Keaton and Michael Caine the film was a box office and critical bust. But does the vaudeville-tinged safecracking caper have anything to recommend it? Let’s find out!
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Jackie Chan finally gets his shot at being the new Bruce Lee in Lo Wei’s direct sequel to his original martial arts masterpiece FIST OF FURY. But is the oft-quoted story about Chan’s failure at becoming a Chinese superman true, or is reality a bit more complex? On this episode of WE DO OUR OWN STUNTS we examine how the plot and purpose of NEW FIST OF FURY has been a bit misrepresented, a fact compounded by a 1980 re-edit that puts Jackie Chan front and center. Let’s check it out!