In 1974 Mario Bava was struggling after a series of financial failures and decided to turn towards a genre completely new to him: Poliziotteschi! Adapting a crime story by Michael J. Carroll, he was almost finished filming when the producer filed for bankruptcy, leaving the film to sit on a shelf for twenty years (well after Bava’s death in 1980). On this episode of WILD IN THE STREETS we take a look at the revived film RABID DOGS, which exists in FIVE different versions – most notably an unfinished workprint version and a re-edited version with new sequences filmed by Lamberto Bava retitled KIDNAPPED! Was it worth the wait, or should these dogs be put down? LISTEN AND FIND OUT!
If you’re a reader already lucky enough to be familiar with Bob Clark’s 1974 horror classic DEATHDREAM (aka DEAD OF NIGHT), you may be wondering why it’s even appearing on a column of undervalued or undercelebrated films, and it’s true that there’s been a critical re-evaluation of the film that has taken hold over the past decade. But, frankly, I still think there’s work to be done, even within the catalogue of the venerable Bob Clark, where it deserves to sit among his very best: including A CHRISTMAS STORY, BLACK CHRISTMAS and (former most profitable Canadian film of all time) PORKY’S.
We’re getting heist-y on a brand new episode of GEORGE KENNEDY IS MY COPILOT with Michael Cimino’s terrific buddy crime comedy THUNDERBOLT AND LIGHTFOOT from 1974! Clint Eastwood and a (shockingly handsome) Jeff Bridges grow a friendship over their shared love of women and thievery, with Geoffrey Lewis and – wait for it – George Kennedy on their tails, until the crew get together to plan a big ol’ robbery and run off into the sunset. We chat about Jeff Bridges’ ice cream technique, Conan O’Brien, Dub Taylor, Preacher Eastwood and SO MUCH MORE. Check it out!
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We’re getting Wild in the Streets with Franco Nero in Enzo G. Castellari’s 1975 Eurocrime revenge thriller STREET LAW! Starring Nero as an engineer who finds his safety (and masculinity) threatened by a post office robbery and decides to take the (street) law into his own hands. Badly! More nuanced than one might expect, and featuring a rocking soundtrack, there’s still plenty of action and – of course – explicit violence. Check it out!
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It’s not October anymore, but that doesn’t mean we’re not still defiantly celebrating Pricetober! We’re wrapping things up with an exploration of two of the final Vincent Price classics, Theatre of Blood (1973) and Madhouse (1974).