On this special Christmas episode of the Shame List Picture Shows, Michael is joined by his former co-host Nick Richards and Alonso Duralde (Have Yourself a Movie Little Christmas) to discuss all things Christmas movie.
DASHING THROUGH THE SNOW here comes the Cinema Smorgasbord HOLIDAY SPECIAL! And this time it really IS a holiday special, because we’re talking about the 2023 time loop Hallmark Hanukkah film ROUND AND ROUND (featuring Dropout comedy sensation Vic Michaelis) before getting cozy with the 2024 nostalgia-tinged comedy-drama CHRISTMAS EVE IN MILLER’S POINT. All that and some thoughts about Christmas-themed music because WHY NOT? Enjoy!
Hello and welcome to another episode of The Shame List Picture Show. Jason Hillman returns to the pod to discuss Frankenstein in all its forms — from Guillermo del Toro’s latest opus to the many screen adaptations.
Ding dong merrily on high! PRAISING KANE returns again.. and much quicker than usual because we just happened to have the Holiday classic SCROOGED next up in our chronological look at the life and work of Carol Kane! You know SCROOGED, right? Bill Murray, Richard Donner, modern adaptation of A Christmas Carol.. You get it. What’s our take on it? LISTEN and FIND OUT. But that’s not all! We also discuss the long-awaited documentary (recently made available on The Criterion Channel) CAROL & JOY from director Nathan Silver about Carol’s relationship with her 98-year-old mother Joy (who she cares for in her piano-filled New York apartment). It’s two for one! A holiday miracle! ENJOY!
On this episode of the Shame List Picture Show, Michael Viers is joined by journalist/actor Mack Bates to discuss The Grifters.
On the latest PRAISING KANE we’re diving into the fraught history of the two Coreys (Haim and Feldman) with the 1988 teen comedy classic(?) LICENSE TO DRIVE, featuring car chases, a hip drive-in restaurant, scary driving tests (/w James Avery), Richard Masur, Billy Ocean’s “Get Outta My Dreams, Get into My Car” and OF COURSE the wonderful Carol Kane. We also chat about the upcoming short documentary CAROL & JOY which should be available to watch RIGHT NOW on the Criterion Channel. Enjoy!
We’re getting WILD IN THE STREETS with Henry Silva (/w some other guy’s voice) in Mario Caiano’s WEAPONS OF DEATH from 1977. Trying desperately to seem like a sequel to the previous year’s VIOLENT NAPLES, this one has Leonard Mann as Commissioner Belli, a cop on the edge trying to track down rogue mob boss Santoro (Henry Silva) while also helping out a precocious/annoying kid named Gennarino. Thankfully this one has a trick up its sleeve: EXTREME VIOLENCE (thanks to Fulci makeup favorite Gino De Rossi), and a few solid action scenes (car chases! Pool hall fights! Piano wire decapitation!) to keep things moving. It’s not bad, but is it.. good? Listen and find out!
On this episode Michael and Amanda Viers discuss all the films they watched for the 12th annual Hooptober Challenge.
On a returning HOW DO YOU DO, FELLOW KIDS? (the world’s finest Steve Buscemi-themed podcast) we’re heading back to the past with Bill Sherwood’s gay romantic drama PARTING GLANCES from 1986, featuring Steve Buscemi’s breakout performance as Nick, an HIV-positive rock musician. Two straight dudes talking about a pioneering queer work? It happened! Now you can hear it and all the latest Steve Buscemi news. Enjoy!
It’s the 2025 Cinema Smorgasbord HALLOWEEN HORROR SPECIAL and as usual we’re taking a look at two underloved horror (or, in this case, horror adjacent) films that deserve a little more attention. We start with the Serbian 2023 socio-political satire WORKING CLASS GOES TO HELL from LIFE AND DEATH OF A PORNO GANG director Mladen Djordjević about a group of exploited workers who turn to Satan for some help battling corrupt businessmen and political leaders. We follow that up with Scooter McCrae’s BLACK EYED SUSAN, which features Yvonne Emilie Thälker as a sex doll designed for punishment, and tackles some iffy moral questions about the future of artificial intelligence and.. Hey! This isn’t very spooky at all! Oops!


