On the latest PRAISING KANE we’re diving into the fraught history of the two Coreys (Haim and Feldman) with the 1988 teen comedy classic(?) LICENSE TO DRIVE, featuring car chases, a hip drive-in restaurant, scary driving tests (/w James Avery), Richard Masur, Billy Ocean’s “Get Outta My Dreams, Get into My Car” and OF COURSE the wonderful Carol Kane. We also chat about the upcoming short documentary CAROL & JOY which should be available to watch RIGHT NOW on the Criterion Channel. Enjoy!
We’re getting WILD IN THE STREETS with Henry Silva (/w some other guy’s voice) in Mario Caiano’s WEAPONS OF DEATH from 1977. Trying desperately to seem like a sequel to the previous year’s VIOLENT NAPLES, this one has Leonard Mann as Commissioner Belli, a cop on the edge trying to track down rogue mob boss Santoro (Henry Silva) while also helping out a precocious/annoying kid named Gennarino. Thankfully this one has a trick up its sleeve: EXTREME VIOLENCE (thanks to Fulci makeup favorite Gino De Rossi), and a few solid action scenes (car chases! Pool hall fights! Piano wire decapitation!) to keep things moving. It’s not bad, but is it.. good? Listen and find out!
It’s the 300th(!!!!) episode of Cinema Smorgasbord! Now, normally we would do a big, special celebratory episode, but.. uh.. I forgot it was coming up so instead we’re back with those pervy Lucky Stars goofballs as they travel to Thailand for some trademark misadventures/sexual harassment. Thankfully these sequences are intercut with some of the most incredible action sequences of the era featuring (naturally) Jackie Chan and Yuen Biao (and also Andy Lau, Richard Norton, Lau Kar-wing, Dick Wei, Philip Ko, and Yasuaki Kurata!). Michelle Yeoh even pops up briefly. It’s a tale of two movies in 1985’s TWINKLE TWINKLE, LUCKY STARS. Enjoy!
It’s the 2025 Cinema Smorgasbord HALLOWEEN HORROR SPECIAL and as usual we’re taking a look at two underloved horror (or, in this case, horror adjacent) films that deserve a little more attention. We start with the Serbian 2023 socio-political satire WORKING CLASS GOES TO HELL from LIFE AND DEATH OF A PORNO GANG director Mladen Djordjević about a group of exploited workers who turn to Satan for some help battling corrupt businessmen and political leaders. We follow that up with Scooter McCrae’s BLACK EYED SUSAN, which features Yvonne Emilie Thälker as a sex doll designed for punishment, and tackles some iffy moral questions about the future of artificial intelligence and.. Hey! This isn’t very spooky at all! Oops!
When Paul Thomas Anderson drops one of the year’s most anticipated movies you know THE BOYS gotta get their opinions down on.. uh.. tape, so on this episode of CINEMA SMORGASBORD SELLS OUT we’re watching the lengthy action thriller ONE BATTLE AFTER ANOTHER! But this three hour epic about an ex-revolutionary stumbling his way through a search for his daughter requires EXTRA FIREPOWER so we’ve been joined by the great RELAX, I’M FROM THE FUTURE director Luke Higginson to talk about the triumphs, controversies and everything else tied to PTA’s triumphant return. Listen!
After a bumpy and controversial start to his career, that bumpiness would continue for Kiyoshi Kurosawa with 1989’s SWEET HOME, a unique videogame/film collaboration that is colorful, entertaining and full of goopy FX by the legendary Dick Smith, but after a post-theatrical re-edit things would go sour between Kurosawa and producer Juzo Itami. It would be a few more years before Kurosawa would direct another feature, returning with the slasher-y office thriller THE GUARD FROM UNDERGROUND which has a number of hints at what would become his trademark style. Let’s check it out!
Two gang members pull a double cross on Claudio Cassinelli’s Raul Montalbani after a bank robbery in Mario Caiano’s occasionally spirited 1976 film BLOODY PAYROLL (aka VIOLENT MILAN). BIG MISTAKE! Cassinelli spends most of the film tracking them down to get a little revenge, helped by the sympathetic sex worker Leila. It’s bookended by some terrific action (especially the car and motorcycle chases in the first thirty minutes, but then settles down into some Noir-ish score settling buoyed by a terrific, jazzy soundtrack. But what did we think? CHECK IT OUT!
Your Oliver Reed-loving pals are BACK on a brand new episode of FURTHER REEDING and we’re checking out the filmed-in-Denmark 1972 science fiction oddity Z.P.G., where Reed and Geraldine Chaplin play a couple in a dystopian near-future where childbirth has been outlawed. Instead people cling onto weird child-like automatons while slowing losing their minds and eating steak-flavored paste. That’s good eating! When Chaplin’s Carol decides she wants to have a baby anyway things get.. pretty goofy, especially when the neighbors discover the couple’s not-very-well-hidden secret. It’s strange! Check it out!
Uh oh! The gang is back talking all things Paul Bartel on another episode of BARTEL ME SOMETHING GOOD and this time not only are we yacking about 1976’s HOLLYWOOD BOULEVARD, the made-for-a-bet directing debut of both Joe Dante AND Alan Arkush (and featuring Paul Bartel, Dick Miller and Mary Woronov among many other familiar faces), but we also start with a very special episode of Alfred Hitchcock Presents from 1985 directed by Tim Burton(!), featuring music by Danny Elfman(!) and starring Griffin Dunne, Laraine Newman and – wait for it – Paul Bartel as a pretentious art critic. It’s even.. uh.. sort of an adaptation of a Ray Bradbury story. All that and so much more, so enjoy!
One this rootin’-tootin’ episode of HOW DO YOU DO, FELLOW KIDS? we’re checking out the made-for-HBO western THE LAST OUTLAW from 1993 featuring a murderer’s row of early 90s character actors: Mickey Rourke, Dermot Mulroney, Ted Levine, John C. McGinley, Keith David and – of course – Steve Buscemi! Not only that, it was written by Eric Red (who wrote THE HITCHER and NEAR DARK) and directed by THE QUIET EARTH/YOUNG GUNS II/FREEJACK’s Geoff Murphy and features plenty of ultra-violence in a (transparently) WILD BUNCH-inspired revenge tale. All THAT and the latest Steve Buscemi news!
