After a bumpy and controversial start to his career, that bumpiness would continue for Kiyoshi Kurosawa with 1989’s SWEET HOME, a unique videogame/film collaboration that is colorful, entertaining and full of goopy FX by the legendary Dick Smith, but after a post-theatrical re-edit things would go sour between Kurosawa and producer Juzo Itami. It would be a few more years before Kurosawa would direct another feature, returning with the slasher-y office thriller THE GUARD FROM UNDERGROUND which has a number of hints at what would become his trademark style. Let’s check it out!
https://media.blubrry.com/cinepunx/cinepunx.com/wp-content/uploads/2025/09/Eros_Massacre_KKurosawa1.mp3Podcast (erosplusmassacre): Play in new window | DownloadSubscribe: RSSIt’s officially the beginning of Halloween season…
It’s the PREMIERE episode of our new limited series SERPENT’S TAIL: THE FILMS OF KIYOSHI KUROSAWA and on this episode we discuss why we chose the filmmaker as our subject, our (limited) experience with his work, a bit about his background and dive into his first two features: 1983’s KANDAGAWA PERVERT WARS and 1985’s BUMPKIN SOUP (aka THE EXCITEMENT OF THE DO-RE-MI-FA GIRL). Both films have a unique mix of eroticism and surrealism, and are a world away from the films we most closely associated with Kurosawa. Enjoy!


