Your Oliver Reed-loving pals are BACK on a brand new episode of FURTHER REEDING and we’re checking out the filmed-in-Denmark 1972 science fiction oddity Z.P.G., where Reed and Geraldine Chaplin play a couple in a dystopian near-future where childbirth has been outlawed. Instead people cling onto weird child-like automatons while slowing losing their minds and eating steak-flavored paste. That’s good eating! When Chaplin’s Carol decides she wants to have a baby anyway things get.. pretty goofy, especially when the neighbors discover the couple’s not-very-well-hidden secret. It’s strange! Check it out!
Uh oh! The gang is back talking all things Paul Bartel on another episode of BARTEL ME SOMETHING GOOD and this time not only are we yacking about 1976’s HOLLYWOOD BOULEVARD, the made-for-a-bet directing debut of both Joe Dante AND Alan Arkush (and featuring Paul Bartel, Dick Miller and Mary Woronov among many other familiar faces), but we also start with a very special episode of Alfred Hitchcock Presents from 1985 directed by Tim Burton(!), featuring music by Danny Elfman(!) and starring Griffin Dunne, Laraine Newman and – wait for it – Paul Bartel as a pretentious art critic. It’s even.. uh.. sort of an adaptation of a Ray Bradbury story. All that and so much more, so enjoy!
One this rootin’-tootin’ episode of HOW DO YOU DO, FELLOW KIDS? we’re checking out the made-for-HBO western THE LAST OUTLAW from 1993 featuring a murderer’s row of early 90s character actors: Mickey Rourke, Dermot Mulroney, Ted Levine, John C. McGinley, Keith David and – of course – Steve Buscemi! Not only that, it was written by Eric Red (who wrote THE HITCHER and NEAR DARK) and directed by THE QUIET EARTH/YOUNG GUNS II/FREEJACK’s Geoff Murphy and features plenty of ultra-violence in a (transparently) WILD BUNCH-inspired revenge tale. All THAT and the latest Steve Buscemi news!
We’re selling out ONCE AGAIN with Ari Aster’s controversial neo-western thriller black comedy EDDINGTON, starring Joaquin Phoenix as sheriff Joe Cross, who runs for mayor against Pedro Pascal’s Ted Garcia in a small New Mexico town during the early days of the Covid-19 pandemic. It’s sometimes uncomfortable, occasionally hilarious, and has some real bite – though some audiences didn’t know what to make of it. On this episode we go through some recent watches, discuss the Ari Aster films we’ve seen so far, and then have the DEFINITIVE conversation about EDDINGTON (with some warning before any spoiler talk). Enjoy!
For the final time (until his real breakthrough a decade later), Golden Harvest is trying to make Jackie Chan a star in the U.S. and they’ve signed up U.S. exploitation film director James Glickenhaus to transform Chan into a high kicking Charles Bronson in 1985’s THE PROTECTOR. Playing a hard-nosed New York City cop teamed with Danny Aiello, Chan swears and shoots through a blood revenge film, but then – thoroughly displeased with the experience – he went and added a bunch of new scenes for the Hong Kong release. On this episode of WE DO OUR OWN STUNTS we look at Jackie Chan’s frustrations, the good (and bad) of each release and WHICH REIGNS SUPREME. Enjoy!
It’s the PREMIERE episode of our new limited series SERPENT’S TAIL: THE FILMS OF KIYOSHI KUROSAWA and on this episode we discuss why we chose the filmmaker as our subject, our (limited) experience with his work, a bit about his background and dive into his first two features: 1983’s KANDAGAWA PERVERT WARS and 1985’s BUMPKIN SOUP (aka THE EXCITEMENT OF THE DO-RE-MI-FA GIRL). Both films have a unique mix of eroticism and surrealism, and are a world away from the films we most closely associated with Kurosawa. Enjoy!
On this long-awaited episode of YOU DON’T KNOW DICK we’re joined by film critic extraordinaire Alan Cerny to discuss the life and career of actor Dick Miller, starting with a cut sequence (directed by Joe Dante) from the film AMAZON WOMEN ON THE MOON featuring Dick as a beleagured ventriloquist, and finishing up with a lengthy look at the 1957 Roger Corman classic ROCK ALL NIGHT! We discuss its soundtrack (featuring The Platters and The Blockbusters), the attempted remake by Quentin Tarantino and Dick Miller’s incredible performance as guy with the biggest chip on his shoulder imaginable. Check it out!
We’re lost in the stacks in this long-awaited episode of JodoWOWsky, not only covering half a year of Alejandro Jodorowsky news but tackling two of his most beloved – and complex – comics works, starting with his masterwork collaboration with the legendary Georges Bess THE WHITE LAMA and finishing with the lush, grotesque historical narrative THE BORGIAS, created with the equally legendary Milo Manara. There’s plenty of wild, obscene, confusing and bizarre material to chat about, so let’s get started!
On an inspiring episode of ERIC ROBERTS IS THE MAN we’re joined by author, teacher and Jeopardy champ Lance St. Laurent to do a deep dive into the 1995 made-for-TV film SAVED BY THE LIGHT, based on a TRUE STORY where town jerk Dannion Brinkley was hit by lightning, died, and came back with MYSTERUOUS POWERS – including a heap of predictions for the future that just might have come true! WOW! Anyway, it’s a bunch of hooey, but let’s talk about it anyway. We pair that with all the latest Eric Roberts news (including an upcoming collaboration with Kevin Spacey (ugh) and some Killer Tomatoes (yay!)). It’s a packed show, so check it OUT!


