Welcome to our least listened to episode of PRAISING KANE ever! On this episode, our chronological look at the career of the wonderful Carol Kane continues with 1979’s LA SABINA, a José Luis Borau film that is only partially available in English.. but we watched it anyway! It’s a drama filled with infidelity, regret, and a mysterious dragon lady that threatens to devour us all. FUN! But that’s not all! We decided to BEEF things up by also watching OUR FATHER’S HOUSES, a filmed version of Eve Merriam’s play adapted from actual letters by women in the 19th century. I know you’re quaking with anticipation, so it’s time to listen right… now!
“Have you checked on the children?”
On this episode of PRAISING KANE we continue our chronological look at the career of the wonderful Carol Kane with the 1979 thriller WHEN A STRANGER CALLS. Best known for its incredibly tense first twenty minutes, the film takes some unexpected – and odd – twists and turns, with a private investigator played by Charles Durning on the heels of a serial killer. We also look at all the latest Carol Kane news, and have a promising update about our next episode! Check it out.
http://media.blubrry.com/cinemasmorgasbord/s/www.cinemasmorgasbord.com/wp-content/uploads/2022/01/CinemaSmorgasbord-E102-PK.mp3 Download RSS/iTunes/Spotify On the latest episode of PRAISING KANE we’re looking at the beloved…
http://media.blubrry.com/cinemasmorgasbord/s/www.cinemasmorgasbord.com/wp-content/uploads/2021/09/CinemaSmorgasbord-E85-PK.mp3 Download RSS/iTunes/Spotify On this episode of PRAISING KANE we’re back in the silent era…
http://media.blubrry.com/cinemasmorgasbord/s/www.cinemasmorgasbord.com/wp-content/uploads/2021/07/CinemaSmorgasbord-E76-PK.mp3 Download RSS/iTunes/Spotify Ken Russell tackles the life of “the great lover” Rudolph Valentino in…
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We continue our chronological look at the career of Carol Kane with the notorious 1976 flop HARRY AND WALTER GO TO NEW YORK! Despite a packed cast that includes Elliott Gould, James Caan, Diane Keaton and Michael Caine the film was a box office and critical bust. But does the vaudeville-tinged safecracking caper have anything to recommend it? Let’s find out!
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