Tag: 1980s

Cinema Smorgasbord – Praising Kane – The Lemon Sisters (1989)

We like to have fun here on PRAISING KANE, the world’s finest chronological Carol Kane-themed podcast, but occasionally – rarely – even Carol Kane’s charms are not enough to lift up a film, and that’s certainly the case with Joyce Chopra’s misguided misfire THE LEMON SISTERS from 1989 (though held back from release until 1990). Despite a dynamite supporting cast (including Elliott Gould, Aidan Quinn, a young Nathan Lane, and Ruben Blades) and the talented trio of Diane Keaton, Kathryn Grody and Kane herself as the titular Lemon Sister (friends who grew up together on the Atlantic City boardwalk who sing standards in a nightclub.. sorta), it’s just a disaster. Bad music, incomprehensible plot elements, and a lack of chemistry just dooms the whole thing. But is there ANYTHING to recommend it? Listen and find out!

Cinema Smorgasbord – Praising Kane – Jumpin Jack Flash (1986)

It’s the first episode of 2024 and PRAISING KANE is packed with wild Carol Kane content, starting with the hour long episode of Shelley Duvall’s TALL TALES & LEGENDS adapting the famous poem “Casey at the Bat”.. sort of! With Elliott Gould, Howard Cosell, Bob Uecker, Bill Macy and CAROL KANE! It’s plenty odd. Then we look at an episode of the 80s comedy crime series CRAZY LIKE A FOX /w Jack Warden and John Rubinstein, featuring Carol Kane guesting as a beleaguered secretary. Then it’s time for the main event, the Penny Marshall directed comedy-thriller JUMPIN JACK FLASH starring Whoopi Goldberg and a slew of famous faces in supporting roles- including Carol Kane! It’s a Liam O’Donnell childhood favorite, but does it hold up? Let’s find out!

Cinema Smorgasbord – Bartel Me Something Good – Utterly Without Redeeming Social Value (1969) & Mortuary Academy (1988)

A seismic shift in Hong Kong filmmaking occurs on this episode of WE DO OUR OWN STUNTS with the release of the legendary action-comedy PROJECT A in 1983. Directed by (and – of course – starring) Jackie Chan, alongside his Peking Opera classmates Sammo Hung and Yuen Biao, it’s a raucous, often hilarious and stunt filled thrill ride packed with pirates, pratfalls and one infamous fall from a clock tower that has to be seen to be believed. It changed filmmaking forever and sent Jackie’s already ascending star into the stratosphere. But does it hold up? Let’s check it out!