On this episode of the podcast, Julie and Nick take a look at director Greg Jardin’s body-swap movie, It’s What’s Inside, now streaming on Netflix, and suggest a few other body swap and game movies. Plus, the pair discuss trailers galore for Time Cut, Companion, Nosferatu, and more. Also, Julie and Nick talk party games and how they’ve changed.
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Join us in this episode of The Shame List Picture Show as we explore Paul Thomas Anderson’s Punch-Drunk Love! We’re thrilled to welcome photographer, comedian, and podcaster Jason Hillman. Together, we’ll dive into this quirky romantic comedy, examining its mix of humor and heart.
On a returning HOW DO YOU DO, FELLOW KIDS? (the world’s finest Steve Buscemi-themed podcast) we’re looking at the stylized 90s crime caper THINGS TO DO IN DENVER WHEN YOU’RE DEAD, featuring a cast full of recognizable faces: including Andy Garcia, Christopher Lloyd, William Forsythe, Bill Nunn, Treat Williams, Christopher Walken, Fairuza Balk and – of course – Steve Buscemi as “Mr. Shhh”. But is it just a Tarantino rip-off, or does it have more to offer? LET’S FIND OUT! We also check out the latest Buscemi news because WHY THE HECK NOT?
What’s a George Kennedy-themed podcast without a DISASTER? On this episode of George Kennedy is My Co-Pilot California is hit by the BIG ONE in 1974’s EARTHQUAKE where an all-star cast (including Charlton Heston, Ava Gardner, Richard Roundtree, Lorne Greene, Geneviève Bujold and – of course – George Kennedy) have to deal with the after-effects of a massive tremor that destroys most of California. Of course, before the quake hits there’s plenty of melodrama and complex relationships (script by Mario Puzo!), but once the earth starts to move things get properly apocalyptic. Our EARTHQUAKE talk is preceded by a short chat about a late-era episode of the television sitcom WINGS featuring George playing a put-upon version of himself! ENJOY!
On this episode of the podcast, Julie and Nick take a look at all their favorites from the 2024 installment of Austin’s Fantastic Fest, like Steven Kostanski’s Frankie Freako, Strange Harvest, Apartment 7A, What Happened to Dorothy Bell?, Don’t Mess with Grandma, House of Spoils, and so much more. Plus, the pair discuss trailers galore for Elevation, Don’t Move, Ghost Game, and more. Also, Julie and Nick talk their favorite Halloween treats.
Join Michael and his guest, Lucé Tomlin-Brenner, as they explore the charm and chaos of Little Darlings, diving into its themes of friendship, identity, and first love. Together, they uncover what makes this 1980 classic a hidden gem and a nostalgic favorite for audiences.
CUT THE CRAP! We’re post-American excursion and post-Lo Wei scraps and things are about to POP OFF with the first of the Five Lucky Stars series WINNERS & SINNERS starring Sammo Hung, Richard Ng, Charlie Chin, Stanley Fung and John Shum. Oh, and Jackie Chan is here as well, reconnecting with his “big brother” (and Yuen Biao in a tiny part) for the first time in years and transitioning to martial arts/comedy hybrids with higher production values and bigger stunts. This one might lean a bit TOO heavily on the comedy, but you get roller skating stunts, car stunts, and some dynamite action to whet your appetite for what’s to come. Enjoy!
Join host Michael Viers as he discusses Mike Nichols’ Heartburn with actor and fellow writer Mack Bates from “The Needle Drop Sessions” at RogerEbert.com. They explore the unique performances of Jack Nicholson and Meryl Streep and how their styles elevate the film. Whether you’re a fan or a newcomer, this episode offers fresh insights into a classic that still resonates today!
You can’t have an Oliver Reed-themed podcast without eventually dipping into the works of the legendary Ken Russell, and we stick our toes in for the first time with his 1969 melodramatic adaptation of D. H. Lawrence’s beloved – and controversial – 1920 novel, Women in Love. Starring Reed alongside Alan Bates, Glenda Jackson and Jennie Linden, the film examines love, sex and death in all manner of permutations, and manages to fit in some notorious nude man-on-man grappling just for fun. We go deep on the film’s explicit queerness, the difficulty of working with temperamental actors (and directors) and so much more. ENJOY!


