For many people, the concept of a homeowner’s association seems like something akin to hell…
“The best laid plans of mice and men oft go awry.” “Want to make God…
For the final time (until his real breakthrough a decade later), Golden Harvest is trying to make Jackie Chan a star in the U.S. and they’ve signed up U.S. exploitation film director James Glickenhaus to transform Chan into a high kicking Charles Bronson in 1985’s THE PROTECTOR. Playing a hard-nosed New York City cop teamed with Danny Aiello, Chan swears and shoots through a blood revenge film, but then – thoroughly displeased with the experience – he went and added a bunch of new scenes for the Hong Kong release. On this episode of WE DO OUR OWN STUNTS we look at Jackie Chan’s frustrations, the good (and bad) of each release and WHICH REIGNS SUPREME. Enjoy!
https://media.blubrry.com/cinepunx/cinepunx.com/wp-content/uploads/2025/08/Perverse_Permission_Angel_Guts2.mp3Podcast (perversepermission): Play in new window | DownloadSubscribe: RSSPerverse Permission is back with the second…
https://media.blubrry.com/cinepunx/cinepunx.com/wp-content/uploads/2025/08/cpep207mixdown.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | RSSWE ARE BACK AND INCREDIBLY…
https://media.blubrry.com/cinepunx/cinepunx.com/wp-content/uploads/2025/08/GhoulSummerEpisode10.mp3Podcast (ghoulsum): Play in new window | DownloadSubscribe: RSSGhoul summer, your very own brigade of…
This review is part of Cinepunx’s coverage of the 2025 Vashon Island Film Festival Filmmaker…
In the 2004 rom-com classic Love Actually, one of the storylines follows recently cuckolded Colin…
There’s an adage in art that working within constraints can often produce something greater than…
It’s the PREMIERE episode of our new limited series SERPENT’S TAIL: THE FILMS OF KIYOSHI KUROSAWA and on this episode we discuss why we chose the filmmaker as our subject, our (limited) experience with his work, a bit about his background and dive into his first two features: 1983’s KANDAGAWA PERVERT WARS and 1985’s BUMPKIN SOUP (aka THE EXCITEMENT OF THE DO-RE-MI-FA GIRL). Both films have a unique mix of eroticism and surrealism, and are a world away from the films we most closely associated with Kurosawa. Enjoy!